Bailey 0012 guitar (sold – available as custom build)
This guitar is based on the classic Martin style 000-12 fret guitar. Sitka Spruce top, with Rosewood back and sides, and Snakewood binding.
Bailey 33 Guitar (sold – available as custom build)
This guitar is based on the Gibson L-00 from the 1930s. We improved on the original design by using a scalloped bracing system and a cutaway. It has a modern C-shaped neck with Rosewood back and sides. The strings are balanced nicely from low E to high E and overall the guitar has a nice bluesy growl.
Bailey 50 – 5 string Guitar Think banjo. It is a guitar for banjo players. All of your banjo licks work on this guitar as well as some interesting things while using some alternative tuning like double C. Banjo players can expand their world.
Bailey 051 D18 Guitar Our version of the D-18 pre-war guitar. Sitka spruce top with high quality Honduran mahogany back and sides. Forward shifted bracing and is fully scalloped. Minimal satin lacquer finish, just like the older pre-war guitars.
Our version of the J45 Gibson, with improved bracing for more response. Sitka Spruce top and South American Mahogany back and sides. Three piece neck made from Mahogany and Cocobolo, with art deco inlays and Rosewood fretboard.
Kinnaird Custom Acoustic Guitar Made in Swannanoa, NC by John Kinnaird. The back and sides are Honduras rosewood, top is Lutz wood, binding is blood wood and the overlay is ebony. Tuners are gotoh tuners. It’s a short scale (25 inch) Manzer wedge design.
Wechter Solid Body Electric Guitar
Delivers distinctive styling and upscale features. Mahogany neck, ebony ’board, and a mahogany body with a 3/4″ flamed maple cap. Seymour Duncan pickups and Triple Shot mounting rings allow the two coils in each pickup to be run in series or parallel. Either coil of each pickup can also be switched off for single coil flavors, and there’s a mini-toggle that puts the two pickups out of phase. Separate Volume controls for the bridge and neck pickups. The body cut and shallow neck shape are both very comfortable, and the high frets make bending easy, even with the low action. The ebony fretboard and maple cap conspire to create a bright instrument with a quick attack and highly defined notes.